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Demetrius and the Gladiators (1954)
Anne's Niche: Actress
Character: Paula
Cast and Crew
My Too Cents: Anne has a very small role in this film, and it's by far not her best
performance. The movie itself is worth seeing, that is, if you like the Biblical Epic, Gladiator movie. If
you are only used to seeing Anne in her Post-starlet days, you may not recognize her in this one. But
she is first seen in the scene where it's the night before Demetrius goes out to his first fight, she plays
the slave girl who sits down and talks to him.
Synopsis:
___This sequel to the
box-office smash THE ROBE picks up the story after Marcellas and Diana
(Richard Burton and Jean Simmons, the stars of the first film) go to the
executioner. Before dying, the two converts to Christianity give Demetrius
(Mature) the robe Christ wore to the cross. After hiding the robe, Mature
is apprehended by Roman soldiers and forced into the arena as a gladiator.
Though he defeats his opponents, he refuses to kill them. Messalina
(Hayward), slatternly wife of Claudius (Jones), is attracted to the
muscular Mature, but demonstrates her interest in him by insisting
that Mature face the towering Nubian warrior Glycon (Marshall).
Marshall and Mature conspire to fake the combat, but Marshall explains
that if the crowd becomes suspicious the Nubian will have to kill Mature.
The feeble battle is quickly seen as a farce, and Marshall tells Mature
to defend himself, that they must fight to the death. Mature, however,
deftly downs the giant but refuses to kill him. When Hayward later tries
to seduce Mature, he rejects her, incurring her wrath. As a result
Mature is sent back to gladiatorial school for retraining. Innocent
Lucia (Paget) falls in love with Mature, but he is denied her company.
Darndanius (Egan) and four other gladiators then molest Paget, which
drives Mature, who witnesses the attack, crazy with anger. Paget
collapses and is pronounced dead. Mature renounces God for allowing
her death, and the next day forces his way into the arena, even
though he is not scheduled to fight. He attacks Egan and quickly
kills him, then another of Paget's attackers. Marshall drives
the remaining three culprits into the arena, and Mature takes
them all on in an incredible one-man attack, savagely destroying
all three men, becoming the greatest gladiator ever seen by Rome.
Caligula (Robinson) demands that Mature renounce the Christian God
and swear allegiance only to the Roman emperor. The disillusioned
Mature does and is immediately made an officer of the place
guard. When Hayward boldly makes a play for Mature, the two
become lovers. Then Robinson insists that Mature track down
the robe so he can test its miraculous powers. In his search
Mature encounters Peter the Apostle (Rennie), who tells the
gladiator that Paget is not dead but in a strange comatose
state, that she has the robe. Greatly moved by the sight of
Paget, Mature begs God's forgiveness, imploring Him to restore
Paget to consciousness. Suddenly she emerges from the
deathlike spell, regaining her normal faculties. As a
gesture of peace, Mature takes the robe to Robinson, but
the egomaniacal Roman wants it only for the godlike powers
he believes it holds. Robinson takes the robe to a dungeon
where a prisoner is being tortured and orders the man
stabbed to death. Then, holding up the robe, Robinson
commands the dead man to rise. When nothing happens,
Robinson races back to the palace and returns the robe
to Mature, saying it has no powers. Enraged at Robinson's
perverted use of the robe, Mature calls the emperor a
lunatic and lunges at him. Robinson orders Mature back
into the arena to fight for his life. However, Mature
refuses to fight. Against the wishes of the crowd,
Robinson orders his personal assassin, Macro (Davis),
to slit Mature's throat. But the Praetorian Guard demands
that its hero, Mature, be spared. Robinson goes berserk
with rage. With that a guard sails a spear into Davis
before he can murder Mature, and another guard kills
Robinson. The new emperor, Jones, then pardons Mature
and orders the oppression of Christians to stop.
Hayward, knowing a liaison with Mature is futile,
assumes her role as Jones' wife. Mature leaves
the palace with Marshall and Rennie to spread
the word of the Lord.
Strong on action and spectacle, DEMETRIUS AND THE GLADIATORS minimizes its
religious theme. Mature is convincing as the powerful gladiator, and all the
supporting players are believable in their historic roles. While Jones'
Claudius is considerably more kindhearted than history tells us the emperor
was, Robinson's Caligula is every inch the beast the legendary Roman is
purported to have been. Robinson plays Caligula as a screaming but fey
tyrant, a preposterous performance that must be seen to be believed.
Rennie is appropriately saintly as Peter, Marshall gives a fine performance
as the decent Nubian warrior, Borgnine is solid as the trainer of the
gladiators, and Egan gives a brief but bravura performance as the
lust-consumed gladiator who earns Mature's special rage. Paget is
a little too wimpy as the victimized girl and Bancroft as a sleazy
courtesan is wasted.
Fast paced and beautifully photographed by Krasner, this film certainly
distorts history, but it packs a stirring wallop in the gladiatorial scenes,
and the sequence where Mature kills several tigers bare-handed is
overwhelming. The critics didn't like this epic, condemning Hayward's
overacting; however, the script gives her little to work with. The
public loved the spectacle, however, and DEMETRIUS was one of the top
drawing films in 1954. What's more, it was re-released with THE ROBE
in 1959 and was a big hit.
(TV Guide)
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